美籍著名现代畫家,生於中國上海,現定居美國。
從師上海美術學院孟光教授,
1979
年成爲中國美術家協會上海分會會員,曾在上海交通大學藝術係任教,赴美前其作品在全國和上海畫展中多次獲獎。
1984
年世界八大收藏家之一
Rrederick
.Weisman
藝術基金會珍藏其作品,並與世界級現代藝術大師
Christo
、
Andy Warhol
、
David Hockney
等多位世界級大師的作品一起巡迴展出于多國博物館。
1986
年赴美,
在芝加哥期間曾是北美中華藝術家協會創辦人之一。來美後,周遊世界各國,趙的畫風從新寫實主義轉變爲後現代抽象主義,正方形的運用是他的作品特徵,趙的藝術最大魅力所在即是東方的神秘融化於西方的現代感之中。
1992
年巨幅作品“國際語言第
3
號
”
被當時亞洲最高大廈香港中環廣場永久收藏。十多年來,趙的作品在全世界
多處博物館,
博覽會和畫廊展出,有
28
次個展和
50
多次聯展,將近
400
幅作品爲世界各地收藏家收藏。
“ Weiliang Zhao’s work was exhibited among
the world- renowned contemporary artists, such as Basquiat, Andy
Warhol and David Hockney .During that Asian Tour, the Frederick R.
Weisman Art Foundation collection displayed 81 artworks by 74
artist.The Weisman Art Foundation is widely considered as having
one of the world’s
greatest assemblages
of contemporary art.”
Nancy Halpern Brougher
Curator of Art
Frederick R. Weisman Art Foundation
“…But there are also textured swirls of
paint with a definite 20th-century rhythm.
Zhao’s paintings have been recognized and
acquired by the noted American art collector, Frederick R.Weisman,
whose collection includes works by many of the great 20thcentury
artists.”
Jeanne Derbeck
Art Writer of South Bend Tribune
“Eternal Dialogue (the title of one of
Zhao’s work) is a large two-panel painting.
Near the edge of one panel a Romanesque statue is detailed
in oil. On the other is what appears to be an ancient bone
fragment. Wide, sweeping
brush strokes in a mixture of acrylic and sand vigorously draw the
two worlds ( the East and the West) together
in a three-dimensional ‘sculpture on canvas’ as he describes
it.”
Judith Lin Eftekhar
Art Writer of Reader, Chicago
“ Zhao’s abstract work implied historical
mystery and religious sanctity, presented
in such a metaphysical way that
the viewer could not fail to notice his
philosophical
concern.“Zhao’s philosophy is a mixture of
fatalism, a reverence for Buddhism, and a free
interpretation of Taoist doctrines. To his mind, the square
symbolizes the structure
of the world, as opposed to the circle
of “Tai Gi”, in which the balance of
Yin-Yang maintain the ultimate harmony and stability of the
universe.”
Leon
Lee
Art
Critic, Chicago
“But it is no more necessary to know this to
love these paintings than an understanding of Theosophy is
necessary to inspire love for Mondrian. After all, this is
painting, which begins and ends with squares, and that, to begin
and end with, is nough.”
Timothy
Porges
Art
critic, Art Magazine
|
Weiliang Zhao
Born
in Shanghai, China; Lives in USA
Selected Individual Exhibitions
2001
Gallery
8, Bergamot Station, Santa Monica, CA
Contemporary
Fine Arts Gallery, La Jolla, CA
Atelier International Art Gallery, New York, NY
2000
2000
Richardson
Gallery, Reno, NV
1999 Contemporary
Fine Arts Gallery, La
Jolla, CA
Calerie
Adrienne Gallery, San Francisco, CA
1998 Contemporary Fine Arts Gallery, La Jolla, CA
Atelier International Art, New York, NY
1997
Contemporary
Fine Arts Gallery, La Jolla, CA
Palm Desert Art
Gallery, Palm Desert, CA
Walsh Gallery, Chicago,
IL
1996
Color Taiwank Art Gallery, Jia Yi, Taiwan.
Carole Jones
Gallery, Chicago, IL
1995
Capital
Art Center, Tai-Chung, Taiwan.
1994 Carole
Jones Gallery, Chicago, IL
Pacific
Asian Museum, Foyer Gallery,
Pasadena, CA.
Capital Art Center,
Tai-Chung, Taiwan
1993
Carole
Jones Gallery, Chicago, IL
1992
Carole
Jones Gallery, Chicago, IL
1991
Sam
Francis Gallery, Santa Monica, CA
East West Contemporary Art Gallery,
Chicago, IL
1990
East
West Contemporary Art Gallery,
Chicago, IL
Kay Garvey Gallery,
Glen Ellyn, IL
1989
East
West Contemporary Art Gallery,
Chicago, IL
1988
East
West Contemporary Art Gallery,
Chicago, IL
Kay Garvey Gallery,
Glen Ellyn, IL
1987
East
West Contemporary Art Gallery,
Chicago, IL
Selected Group Exhibitions
2001
Stanford University, Stanford, CA
Louis
Aronow Gallery, San Francisco, CA
2000 Contemporary
Fine Arts Gallery, La Jolla, CA
Louis
Aronow Gallery, San Francisco, CA
1999 Kathleen
Gallery, Chicago, IL
1998 Artexpo,
Vancouver Convention Center, Canada
Art Beatus Gallery,
Vancouver, Canada
1997
Artexpo,
Los Angeles Convention Center, CA
Los Angeles County
Museum of Art , CA
(Art
Sales Gallery)
Freddie Fong
Contemporary Art, San Francisco, CA
1996
Mark
Ruschman Gallery, Indianapolis, IN
Art American, Miami Beach Convention Center, FL
Deanna Miller Fine Art, Santa Monica, CA
1995
LA
Artcore, Los Angeles, CA
1994
Art
Galleries Fair, Taipei, Taiwan
Mark Ruschman Gallery, Indianapolis, IN
1993
Artexpo,
New York Jacob Javits Convention Center, NY
1992 Art Asia, Hong Kong Convention Center
Art Chicago, Merchandise Mart Expocenter
Art Miami, Miami Beach Convention Center
1991 Villanova
University, Pennsylvania
Illinois
Wesleyan University, IL
South
Bend Art Center, IN
1990 Fort Wayne Museum of Art, IN
1987 Pacific Asian Museum, Pasadena, CA
Hong Kong Museum of
Art, Hong Kong
Chinese Cultural Center, San Francisco, CA
University
of Texas, Austin,TX
1986 Laforet Museum, Tokyo, Japan
N-1 Gallery, Nagoya,
Japan
SOGO Art Museum, Yokohama, Japan
National Museum of Modern Art, Seoul, Korea
1985
Shanghai
Jiao Tong University, China
1984 National Museum of Art, Beijing, China
1981 Shanghai Exhibition Museum,China
National Museum of
Art, Beijing, China
1979 Shanghai Art Museum, China
Selected
Public Collections
2001-1986
***350
Private Collections.
1992
Central Plaza, Hong Kong.
1988 McDonalds Corporation, Oka Brook, IL
1987
Kehon Foundation, Santa
Monica, CA, USA
1985-79
Private Collections, England, Canada, Germany, USA
People’s Fine Art Publishing House, Shanghai, China
1984
Frederick R.Weisman Foundation of Art, CA
National
Museum of Art, China
Selected
Publications
2002
Weiliang Zhao Album (New World Poetry &
Zhao Sdudio USA)
1995
The
Dictionary of The Achievements of Art
(Great World
Publishing Co. Hong Kong)
1994
The
Fine Art Index (Volume 1),
(International Art
Reference, Chicago)
1993 Artists
of Chinese Origin in North America
Directory
(Artist
Magazine, Taiwan & Point Gallery,IL,USA)
1987
Frederick
R.Weisman Collection
(Weisman Tokyo Office)
Beyond The
Open Door
(Pacific Asian
Museum, Pasadena, CA)
1979-86
China
Oil Painting (Publication by China)
1985
Frederick
R.Weisman Foundation of Art (Volume 2)
China New Literature
& Art
(Volume of Art, 1976-1982)
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